Category Archives: Uncategorized

What is the Point of a Thank-You?

While perusing the internet last week, I encountered a discussion about thank-you notes (on the inimitable Reddit). It was a suggestion that parents teach kids to write thank-you notes for their gifts, to foster a spirit of gratefulness when the kids are small.

It seemed pretty facile to me: write thank you notes, it’s polite. Easy enough, right?

And yet the responses to this suggestion were overwhelmingly “NOPE.”

Commenters went on and on about how it was just teaching kids to lie, how it was an out-of-date custom, how it’s just a form of parental extortion (write the note OR ELSE!), how nobody likes receiving those annoying formulaic notes anyhow, and can’t you just tell someone you liked their gift? Or, better yet, just keep sending presents and don’t you worry about whether or not I even liked it. Gimmie.

I was raised in a write-your-note-or-else house, and I’ve been pretty well indoctrinated. When I met my now-husband’s parents for the second time, they commented on how I’d written them thank-you notes…and how it made them feel guilty for not doing them. After writing the heap of notes for my wedding gifts, I’ve even developed a bit of a reputation as a writer of “great thank-you notes” (gee, exactly what I want to be known for).

So I fall pretty hard on the thank-you-note-writing side of the line.

I found myself wondering: am I making everyone uncomfortable by sending these notes, these notes I have been writing because I was taught that it was just the done thing, that I was a rude and ungrateful brat if I didn’t?

I took a poll of some friends and got a mixed bag: definitely for some occasions a note is welcome, getting mail that isn’t a bill is a nice thing, and a few “oops, I totally should have written that one.”

I admit one of the prime reasons I write thank-you notes is because I love getting mail. Physical mail, I heart you. I’m always thrilled to get something interested, something unexpected. It’s like mini-Christmas, every day of the year. (I seriously have a Birchbox just because I like to get the mail…)

I guess I agree with some of the complaints in the no-thank-you side: I think it’s weird when I get hand-written, formulaic thank-you notes from my mom via post office when I see her every week. And I think writing thank-you notes after a funeral gift is ridiculous and unfairly burdensome on the mourning, who have enough going on. I hate getting the literal fill-in-the-blank notes from little kids–or worse, the really-you’re-too-old-for-this teens (“Dear M.E., Thank you for the _____ I really loved it! Signed, Annoying Teenager”).

But all in all, I’m in favor of the thank-you note. Particularly because I don’t have much opportunity to see many of my friends and family right now; we live pretty far apart and see each other maybe once a year. The note is a way of saying “hey, you’re sweet to remember me! I got your gift! Also, I miss you.”

If it makes me outdated to like that, I guess I’m just going to have to be a bit musty, I suppose.

Where do you fall on thank-you notes: lovely courtesy or forced false gratitude?

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Which Way to the Ladies’ Library? Turns Out Even Reading Is Gendered

Book-reading cataloguer Goodreads made some waves when they recently released a study about the gender of a reader compared to the gender of the authors they typically read.

Lots of good data to chew on there: men and women read about the same number of books, collectively rate their Goodreads books at an average of 3.94, women read a lot more new fiction, and men write a lot more really long fiction (500+ pages).

Here’s a stat I stumbled over, though: in the first year of publication, 80% of a female author’s audience will be women; 50% of a male author’s audience will be women. Interesting….

Women authors’ books were also rated, on average, a teensy bit higher than male authored books (just by 0.1, though).

But the 50 most-read books for each gender fall on starkly gendered lines: Of the 50 books published in 2014 that were most read by men, 45 are written by men. Of the 50 books published in 2014 that were most read by women, 45 (46 if you count stealth J.K. Rowling, which you should) were written by women.

That’s the odd one, to me.

A lot of commenters jumped in with “well I never pick a book based on the author.” Assuming that is true, what may be going on here? I’m guessing there are quite a few factors:

  • gendered genre: it’s pretty well-understood that certain genres traditionally tilt to one gender or the other–romance is heavily read and written by women, while “literary” fiction and science fiction both heavily favor men. It stands to reason that these topics would pull the average one way or another.
  • cover design: there’s been some funny/interesting looks lately at the way a book cover is gendered when it goes through a publisher. This is intentional; they’re trying to attract an audience, so they market the book–typically by old and stereotypical methods–to whomever they think it will appeal to. But that also means that a book that both genders really may enjoy equally could get shunted in one direction or the other just because of which photo someone decided to put on the cover. Lots to think about there.
  • the “Oprah effect”: book clubs. From what I can tell, book clubs are overwhelmingly female, tend to pick new authors, and follow recommendations from talk show hosts like Oprah in order to find their next “it” topic. This may be having a powerful effect. (Sue Monk Kidd has said book clubs were the driving force behind her book, The Secret Life of Bees, becoming a best-seller.) The downside may be that book clubs try to pick a certain kind of book…most authors may not be able to harvest the “Oprah effect.”
  • maybe people really do like reading someone of their own gender; maybe they are, even subconsciously, actively selecting for a gendered read.

Personally, I find this kind of breakdown fascinating…and a little scary. I want to read a variety of backgrounds, so sometimes I do actively try to mix up my reading list and get a different genre, gender of author, etc. But there are times I’ve noticed that I’ve read a lot of books written by, say, white males in the 1950s. That’s not a bad thing, but it probably is flavoring my tastes and my writing voice.

But it also worries me as a writer: I’m interested in sci-fi–the male-dominated genre unpopular with book clubs. Uh-oh.

What do you think about the “gendering” of books? Is it an issue at all? Is it surprising?

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I Got Married for the Sick Days

My husband is home sick. He’s gloriously pathetic: a cold-turned-bronchitis walloped him at midday yesterday, leaving him with a hacking cough and bleary eyes. The medicine the doc-in-the-box prescribed has knocked him back on his bum, and a good thing, too, because it is letting him sleep despite the cough (not so me, however, who woke up multiple times to the dry agonizing cough of the sleeping lump next to me.)

I feel so badly for him, and a bit guilty for his illness. Perhaps his cold wouldn’t have worsened had I not dragged him all over the country to see my family for Thanksgiving?

All I want to do is stay home, making chicken soup from scratch and reminding him to take his medicine.

I am no Florence Nightingale; I find his hacking cough monstrously icky and don’t want to snuggle with his germy face. But still I find myself fretting over him, wondering if I put enough honey in his hot water, if he needs another pillow, if I got him sick.

I realized, this morning, that this is one of the reasons you get married. Or at least one of the reasons I got married. The good times are, of course, good. They keep things exciting and moving forward and laughing. But the good times also serve as a reminder, during the bad times, of why you’re so danged committed, of why you promised to be with this person forever in the first place (it’s an absurd promise, if you think about it).

But when we’re sick, it is a tremendous relief to let someone else worry about the essential day-to-day stuff when you’re dealing with something sucky, from bronchitis or a bad day at work or the death of a loved one.

I owe my husband lots of chicken noodle soup and orange juice because my grandfather died suddenly last month. He’s been keeping me going as we took the 8-hour drive up for the memorial service and then back one weekend, and again as we repeated the trip for Thanksgiving so Grandma wouldn’t be alone. He’s kept me fed, dressed, and showered, and even got me to giggle a little, on the days when I want to do nothing but crumple to the floor and cry (there have been many of those days). He was there for the days–and probably more to come–when I was soul-sick; I’ll be there for him for the days that he’s just regular-sick. Not only is it part of the promise I made in front of 150 people, it’s the reason I made that promise. Because I got married for the sick days just as much as the whole ones.

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Happy Thanksgiving! Stuff Your Face

Happy Thanksgiving! Eat like this happy hamster crew!

Now go take a well-deserved nap. (I know I am.)

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November 27, 2014 · 9:01 am

Review: Medusa’s Gaze and Vampire’s Bite

Medusa's Gaze and Vampire's Bite: The Science of MonstersMedusa’s Gaze and Vampire’s Bite: The Science of Monsters by Matt Kaplan

My rating: 2 of 5 stars

I had really looked forward to this book. Mythical monsters plus informative history, what’s not to love? I bought it for my husband as a gift and was delighted when I found it idling on his nightstand. But now I see why. It’s interesting in places, sure (hey, wanna read some kooky accounts about real zombies? I know I do!) but it’s a struggle to hold your interest. The story is artificially paced (why start an explanation with the wrong answer only to correct it a page later?), leans heavily on modern movies, and cherry picks when it will refer to social sciences.

If you love mythical beasts and know much about Greco-Roman literature, you’re going to come away from this book bored and/or annoyed.

The problem seems to stem from author Matt Kaplan’s unyielding insistence on two things: 1) all mythical beasts must be directly related to something observed in the natural world, and 2) once science has a logical explanation for something, it ceases to be frightening. I disagree with him on both counts.

While I agree that the original storytellers probably did see something that sparked a story in their minds, I disagree that there has to be some kind of one-to-one relationship. For example, Kaplan explains in length that massive boar mentioned in Greek mythology probably never existed, that there is no evidence of an actual super-boar who was impervious to weapons. I believe I speak for all the readers when I say: “no shit.” But why would there even have to be? Is it such a stretch to believe and accept that a creative thinker might have concocted the story entirely?

The boar and the Nemean lion, are, of course, just the most basic examples. I don’t need to believe anything remotely chimeric actually existed for me to believe that a storyteller could come up with the idea. Why the concept that a person found a pile of mismatched fossils in a stream bed and came to believe it was a terrible monster, is it not just as plausible that a storyteller looked around and invented the creature from the characteristics of other natural beasts? That perhaps this explanation came not from literal physical creatures but from symbolism? (Medusa is a great example as a symbol: a woman so beautiful she attracts a god’s unwanted assault is reborn–hence snakes–into a monster who drives all men away and can destroy them with but a look. We don’t need actual snake-haired people!)

I guess I’m offended that Kaplan has left so little room for human ingenuity. Particularly when there is so much evidence of it all around.

My second issue is that he believes people aren’t afraid of monsters that no longer seem realistic thanks to scientific discoveries. Perhaps they aren’t as prominent as monsters as we discover new things to be afraid of, but that discounts the many people who ARE afraid of those things and context. What do I mean by context? I mean, yes, if you ask me in the middle of the day what I’m afraid of, a big scary animal is not going to be the top of my list. But you bet when I’m in the dark in the woods I suddenly begin imagining I’m being stalked by a huge and terrifying predator (despite knowing full-well in my human brain how unlikely it is that a tiger is stalking me in the parking lot). Most irksome is that Kaplan’s evidence for the lack of fear-factor is overwhelmingly modern TV and movies. … Except he’s not watching the same stuff I am, apparently. I mean, Supernatural has many frightening episodes and chilling stories, for example, and I know it’s fiction. Just because Twilight told a different, non-scary story about vampires does not mean that the vampires in True Blood aren’t decidedly scary (ok, in moments. That show is all over the place). And Interview with a Vampire, which he cites in the book, was quite scary to me!

So I don’t know. I think this book might be a good lazy read for a TV and movie buff who has a light interest in Classics, or maybe for the Classics nerd who wants something different. But I don’t recommend seeking a deep understanding or passion from this monster montage.

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Undead Rising coverWant better monsters? Go buy Undead Rising: Decide Your Destiny, available in print and on Kindle. Your choices shape the story! When you die in the book, sometimes you rise again as a zombie, unlocking new adventures.

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Books—Stardate 2364: Literature of Star Trek

Life has thrown up some really crappy events in the past weeks, meaning I’m not only not participating in NaNoWriMo this year but I’ve also missed updating my dear old blog for over a week for the first time in the two years since it was created. So that sucks.

Anyway, to get things rolling again, I present: Literary Moments in Star Trek.

I’m a big fan of Star Trek, particularly Next Generation. It was a family tradition in my house to sit together and watch it after dinner. I’m not sure we actually watched them in order—in fact I’m pretty sure we didn’t and were just at the mercy of the rebroadcast schedule—but it was tradition nonetheless.

That being said, I found this list of book references in the series surprising (except “Time’s Arrow.” I remember that Mark Twain!) Maybe I wasn’t old enough to catch the references: time for a rewatch?

That’s one of the joys of science fiction playgrounds like Star Trek: these shows (and movies, and books, and short stories) give us an excellent way to re-experience something we thought we understood, to provide deeper meaning.

Do you have a favorite book-to-TV crossover moment? (Aside from Wishbone, of course. That show was the bomb.)

 

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Review: The Night Circus

The Night CircusThe Night Circus by Erin Morgenstern

My rating: 3 of 5 stars

“Dreamlike” is the best adjective for this book about magic, secrets, and the wonders of the circus. Though the circus is rendered exclusively in black and white and shades of grey, The Night Circus bursts with color. The descriptions are truly the best part, capturing the allure of the circus, the vividness of life, and the way our struggles can make us feel. It’s a scrumptious read particularly suited to a cold winter’s night and a warm fire.

Erin Morgenstern’s tale follows two ancient, rival magicians who sign up two children for a life-long “game.” Without even explaining the “rules” of this game, or the point, or the stakes, the two children–Celia and Marco–learn magic. When they come of age, the arena for the game is set: a circus like no other. This circus, Le Cirque des Rêves (Circus of Dreams) operates only at night, is exclusively decorated in black, white, and greys, and features performances beyond Barnum & Bailey and the restrictions of reality. It is also a platform for the contest of wills between Celia and Marco.

But the original magicians don’t realize that their competitors are actually more similar than different, and what is intended as a fight turns into an all-consuming love, a love that imperils everyone who becomes ensnared in the circus.

The descriptions of late 1880-early 1900 America and Europe, the possibilities created by a circus without limits, the lush designs and ideas: these I love. I hope The Night Circus is someday made into a film, but the only suitable directors would be a) Terry Gilliam, b) Baz Luhrman, or c) Tim Burton, in that order. Those are the only directors I can see capturing the visual scope and detail Morgenstern puts out, so head’s up, guys.

However, I struggled with the plot. The first third of the novel just didn’t capture me, and with even the character’s names not being determined until later in the book–and not knowing what the game is or what the stakes may be–it was hard to “root” for anyone. The story moves forwards and backwards and sideways in time, making it a little confusing to follow. So it takes awhile for The Night Circus to work its magic on you–but magical it is.

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A Voting Law I Could Support

Happy election day, Americans!

Today is the day that less than 40% of the population will head out and participate in our representative democracy, voting in elected officials from state governors all the way down to local judges and yet another school board member, having a small but important part in deciding the laws for all 100% of our people—because that’s the American Way!

Seriously, get out and vote. Voting is a really important and yet really easy thing to do, and it boggles me that so many people just say “eh, I didn’t feel like it.”

My state was one of a few that went out of its way to make voting harder for people—thanks for that voter ID law, Texas government!—but voting took literally 10 minutes. And I got a sticker, so that was fun.

But what voting law might I support? A law that it is illegal to complain about the laws/politics if you don’t vote.*

It would dramatically improve the political climate in our country, I think! Just imagine if 60-70% of the country could no longer complain about this that or the other! And what of the talk-show pundits? I’d bet at least one (but probably more) would forget to vote, and then we’d get something like this:

“Welcome viewers. Because of the new Vote or Shut Up law, one that you may remember I strongly encouraged the passage of, I am unable to continue with our scheduled program, as it was revealed that voting closed two days ago and I forgot. A police officer served me with a notice of my violation this morning.  Therefore, today’s talk will be: Butterflies—Why Do They Think They Are Better Than Moths?

I believe those bright-colored fanatics are just trying to trick us into following their “pollination agenda”…”

And I would wager at least a portion of elected officials don’t bother voting, too. Can you just imagine a senator being escorted off the floor because he hadn’t taken 15 minutes to participate in the will of the people?

It would be chaos at first, sure, but then it would be blissfully quiet. Maybe we’d actually get something done?

Anyway folks, don’t forget to vote. It’s worth a lot more than complaints.

*Note: This is moderately sarcastic. Moderately. Except sometimes I wish it weren’t.

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Gift from the Internet: LeVar Burton Reads Profane “Children’s Book”

Never again wonder about the power of reading, darlings, or of the internet: Here’s a video of LeVar Burton, of Star Trek: Next Generation and Reading Rainbow infamy, reading profane classic “Go the F*ck To Sleep” for charity.

Seriously, what could be better than childhood idols who support literacy efforts reading funny books to raise money for the Children’s Miracle Network?

He helped raise $240,000. Oh, and he’s wearing a Captain Planet t-shirt. Best. Ever.

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November 1, 2014 · 9:10 am

Literary Horrors

I had the hardest time coming up with a Halloween costume this year. I wanted something at least a little offbeat, but of course you want to be semi-recognizable, too, otherwise, what’s the point? (True story: I went as a “Freudian slip” one year—a slip worn as a dress, decorated with Freud’s face and a bunch of psychology sayings—and it was a total disaster because no one could tell what it was. I’d put a lot of work into it, too!)

But I’m also behind and it was so close to Halloween that I didn’t have the time or the energy to sew something from scratch. And the pre-packaged ones are decidedly not appropriate for most locations.

But then a friend mentioned her idea, and it was so utterly brilliant I stole it (with permission. We live in different parts of the country, so it’s ok). I’m going as “the girl with the Green Ribbon.” It’s from a children’s book, “In a Dark, Dark Room and other Scary Stories.”

Here, have a listen if you don’t remember it:

I remember the book, vaguely, but I also think I heard it as a campfire tale. It’s perfect: it’s creepy, not too hard to do, work-appropriate, and—bonus!—literary. I’ll be wearing a Victorian-ish dress with a green ribbon around my neck, and a bit of makeup to make me pale, pale, pale, perhaps with a bit of bonus blood ichor seeping around the ribbon. (I’ll try to post a picture after I’ve got it all compiled.)

So what are you going as? Also, bonus points, let’s come up with some good literary horror/costume ideas for next year.

Perhaps:

  • The Cat in the Hat (cat costume + striped hat and bowtie)
  • Carrie, from Carrie, of course (white dress covered in blood dye + blood makeup?)
  • Harry Dresden, The Dresden Files (black trench coat + wizard staff)
  • The Velveteen Rabbit (rough-around-the-edges rabbit costume & tissues because you’ll make everyone cry)
  • Snow Queen from Narnia (though this year you’ll probably get confused with the Frozen crowd)
  • Pride And Prejudice and Zombies (what’s better than undead literature?)

(You know, it figures that I would come up with all these ideas only after I’ve got a costume figured out…)

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