I recently acquired your product and, for the most part, I enjoy it. However I have some user experience feedback that will provide an overall better experience if implemented.
Let’s start with the process to acquire a Human Infant:
It’s tough to get your hands on one! I understand you want to be choosy, but it is confusing, as a customer, why some are able to pick one up right away (the first month of trying!) and others have to wait years. I’ve heard some aren’t able to get one at all. And then there are those who don’t want one, and yet find the acquisition process has begun regardless! Work on your distribution line to clear up these discrepancies.
It’s a lot of work to begin the acquisition! Perhaps this could be done in a way with fewer side effects for the end customer?
There’s no getting around this: it’s troubling that payment in the form of physical pain is a requirement for acquisition of an Infant. I understand this is a challenging product to acquire, but the amount of pain asked for is unreasonable. Lower this cost for greater future investments.
It takes so much energy to acquire one! It’s really quite a lot of work, which can be a strain on the Mom Module.
The acquisition comes with so many side effects. Some don’t even make any sense. Mine came with Flabby Belly and Sore Wrist.
On the Human Infant itself:
The product arrives way too immature. I understand there is a DIY component, and it is cool that you can customize it to some degree, but it would be great if out-of-the-box the Infant came with some basics, like Ability to Smile and Understands How to Eat. Giggle would be a great upgrade, too! It just seems crazy that this product naturally comes with so few skills. It doesn’t really do anything at first, for, like, months.
Where is the instruction manual?!
I understand the digestion module is under development when it arrives, but it would be great if it worked better with the provided breastfeeding equipment. It is really hard to tell if you have a match before the product arrives! Plus it is hard to use and difficult to get it correctly docked. Have you considered a hands-free mode? Just an idea.
All the built-in sounds are the same. At least initially, there is no difference between an alarm and the Hungry mode. Some separation would really improve the whole system.
I hear Mobility comes with the Toddler upgrade. I’m looking forward to trying it out! Can you explain why the other models come with Mobility and this one doesn’t? I’m thinking of Horse, but even Shark has it, so I know you can do it.
Maybe I’m using it improperly, but why does the breastfeeding module, when combined with Human Infant, require a pain payment? Didn’t we pay enough upfront? These microtransactions are getting out of hand.
It is LOUD. Please add a mute or volume button.
My model did not come with a charging cable; as a result, it goes into sleep mode about every three hours. It also needs regular maintenance. This product would be a lot more fun with more interactive up time.
The waste disposal system is a literal mess. Can we get an indicator light or something before dispersal?
I’ve seen your other models, such as Seahorse and Emperor Penguin, so I know it is possible to have greater integration with the Dad Module. Please consider implementing these changes; right now, it seems like Mom Module has all the interaction. It is fun, but unbalanced.
Is it supposed to produce so much gas?
Seriously, why doesn’t it do anything? Literally every other species’ model works right out of the box. It’s kind of boring for the first several months.
Human Infant has many devoted fans; I just believe these would be significant improvements to an already great product. I hope you find this feedback helpful and I look forward to the improved model, which would greatly increase the likelihood I will acquire another to add to my collection.
A Human Mom
PS. Thanks for Dogs and Cats. Both are pretty great as-is.
I wasn’t able to attend the DFW Con writing convention this year, where Chuck was the keynote speaker, but I did get to read this book, so I still feel like I got to have a good long conversation with him.
The book is both light-hearted and zippy and meaty and something you’ll ponder. It took me a long time to get through because I kept ruminating. Which is the point! Thank god this was a different kind of writing book! There is no torture over adverbs or controversially short memory devices; Chuck leaves all that to King and the plethora of his imitators. Instead, this book is about the overall shape of a story. That’s a mushy, hard-to-define topic, which Chuck handles with movie story examples, quick jokes, and great illustrative metaphors.
You’ll have something to think about, and you’ll damn well like it, young man!
(Seriously though, I just want to watch TV with Chuck. He has excellent nerd taste.)
Questions for Mr. Evans’ editor:
1) How intimidating was it to edit a book about quality writing? That must have been a great deal of pressure! The horror, had you let slip an errant comma! So I’m sure you paid quite close attention to the book. Which leads me to ask…
2) How hard was it to deal with someone so pugnacious that he collected, for years, sentenced he found abhorrent solely so he could one day combine them into a book to tell people they were so very wrong? I get it, they are good examples to illustrate his points. I am just guessing at the type of person Evans must be to have that kind of intensity.
3) can you explain to me why you would let Evans write a book about writing—presumably targeted to those who don’t write and/or read well—with such high-minded jargon? I mean, I’m a pretty consistent reader, and I’m a writer and editor—what I’m saying is I know words, and yet the “expensive” 10-dollar words Evans used caused even me to pause. If I didn’t read it easily, how could you expect the non writer to breeze through that horrible introduction?
4) How did you ever let the man publish so much political dreck? Honestly, it’s a problem. If he had wanted to write a book about politics and his opinions, he should have done so. But he didn’t. He wrote about writing, and I wanted to read about writing, so why is so much of the book NOT about writing?
Think of it this way: if you pay for a basketweaving class, would you get annoyed if the teacher spent most of the class droning on about how much he hates a particular pizza joint? Of course you would! That’s not why you’re there and he’s wasting your time.
See, editor, I think easily a third of this book is unnecessary political sniping. I want that shorter book, not this one.
That’s why I had to bail on this book. I can’t even tell if there is good advice in it. There very well may be, but it’s not really a book about writing. It’s a book about one man’s snobbishness, vanity, and dislike for the current political situation. It’s bloated and… well, not particularly clear.
It has been years since I have been so utterly challenged by a book. Junot Diaz breaks almost every conventional rule of literature—the story is nonlinear; characters are not major historical players despite being set in a historical moment of great change; mixes vulgarities with nerdy references in a way guaranteed to exclude most highbrow readers; jumps around in narration; makes frequent reference to a book most people probably hasn’t read, even if they should (In the Time of the Butterflies); avoids most dialogue punctuation—and yet transcends most books. Read this book to have your mind blown in the best possible way.
I had four years of Spanish in high school and it wasn’t enough, because they don’t teach words like “toto,” “puta,” and “culo” in high school (“pussy,” “whore,” and “ass.” You’ll need them in this book)—though Diaz presents a compelling reason to include them in the next lesson. I’ve never made such frequent use of Google translate as I did with this book, and many times there were words even there that couldn’t be looked up, that only brought up annotations for this very book.
But even if you don’t stop to look up all the words you don’t know, Diaz beautifully and elegantly communicates the feeling of being each character, of dealing with their struggles and their particular viewpoint. It’s rare that you can see inside a whole family in this way, each against each other and yet tied together as one unit, each struggling with their own challenges yet determined to be a united front against the world.
The title of this book and the blurb makes it seem like this is the story of one character—Oscar “Wao”—but that’s misleading. I’m not even sure, except for the end, that Oscar can be said to be the main character. No, this is a story about a family, individually and together, and about the legacy of immigration–both blessing and curse–that has impacted them all. It is a powerful and moving tale–even if it does stretch the limits of your translator.
Be thankful for your many blessings this year, enjoy time with family and friends, stuff your face with food… and then get back to writing, you loons, NaNoWriMo is almost over! Take a plate of that turkey and lock yourself in a bedroom until you finish your novel! Go go go!
M.E. Kinkade has been writing and editing professionally since 2004. She believes it’s possible to love both Star Trek and Star Wars, because Yoda would dig the Prime Directive. She is an active community gardener.
Her books, "Undead Rising: Decide Your Destiny" and "Beamed Up: Decide Your Destiny" are adventure gamebooks for adults, now available on Amazon in print and as an ebook.