- Random strangers you meet are not, however tangentially, related to your Destiny
- You are not athletic
- You are not flexible
- Physics has pretty solid limitations
- You are probably not highly skilled with a bow, handgun, or rocket launcher, and definitely not all three
- You do not manage to carry a nearly unlimited number of items in only an outfit that has no obvious place for pockets
- You will not be in a situation where you need to craft a gun from spare parts you “found” in an ancient temple
- You are not encouraged to break pots in other people’s houses
- You should not disturb artifacts. They belong in a museum
- Your grandfather does not come back as a ghost to judge you on your farm quality
- You are unlikely to be The Chosen One
- You are not likely to survive an apocalyptic event
- You will not be asked by said strangers to go on a fetch quest
- You cannot fast travel
- Cut scenes are unskippable
- Resource boxes are not located conveniently just before the Big Boss location
- Respawn is highly unlikely and unpredictable
- Save points are possibly nonexistent
- You do not get to choose your baseline appearance or personality
- Leveling up does not come with any obvious sound effects and only rarely with badges
- Additionally, most achievements cannot be shared with friends
- You will not be known and respected across the land
- If you slaughter a village of peasants, you cannot load a saved game to restore your honorable reputation
- Not all merchants will trade with you
- You are unlikely to make a living by selling natural resources you found by the road
- Your companions do not have to listen to you or follow your leadership
- You need to eat just because you burn energy, not just because you got punched in the face or otherwise injured
- Do not light fires unless you know what you are doing
- You do not have an awesome, inspiring soundtrack at key moments
- If you tire of your storyline, you cannot put it aside or switch to a different game
- Getting a date and getting married are somehow both more and less complicated
- You are not required to give people gifts in order to make them become your friend
- You have to take bathroom breaks
- You are unlikely to encounter werewolves, zombies, or mechasoldiers
- Weather lasts more than five minutes
- Climbing a mountain is not the fastest way from A to B. Just stick to the road
- The controls can be tricky to learn and operate, and the rules seem to be continually changing
- You cannot draft players onto your sports team. You do not own a sports team, and even if you do, it doesn’t work quite like that
- Drinking “potions” with unknown ingredients is a good way to get sick
- Healing takes more than a mouthful of herbs
- Call for help if you jump in a pipe and end up in a dungeon
- No one is giving swords to 10-year-olds, and people in caves who try to should be reported to the authorities
- Important objects do not highlight when you look at them
- Plants are a poor defense against the undead
- If you think you are fighting the Greek pantheon, a horde of demons, dragons, or aliens, please consult a mental health specialist
Tag Archives: video games
In fighting the late-summer heat, I recently picked up a new-t0-me video game: Dragon Age: Origins. It’s pretty cool; you are on a hero’s journey to become a Grey Warden and travel from town to town fighting monsters and trying to save the kingdom. There’s a lot of customization, and the choices you make throughout will affect the outcome of the game.
And you have to make a lot of choices. (It’s almost the Starbucks of video games: and would you like whip with that? (I’m easily overwhelmed by Starbucks….can you tell?))
The very very first choice, though, is building your character: Will you play as a male or a female?
In some ways, the fact that it’s even an option to play as female is a great thing; in some games, forget it. You’re just a white-ish athletic dude no matter what. So I always enjoy games that give you more versatility in that way.
The prompt as you choose your playable gender says Fereldon, the world, is a pretty equal place, with opportunities for both men and women in the three playable careers–warrior, mage, and rogue. That’s important, because I like to know when I’m cutting myself off from parts of the game with my choices.
So I built my female human mage with red hair and dark eyes and went happily on my way.
Except I was constantly reminded by other characters (non-playable characters, or NPCs, for you non-gamers out there) that woah, hey! You’re a lady!
In some cases, it made sense and fit with the story: when Morrigan the wild witch met me, she was more friendly because she carries a general dislike for men, having grown up in isolation.
But most of the time, it doesn’t. It’s more like “wow, you’re a fighter and a lady? Whodathunkit?!” In a world that is supposedly equal. And where I periodically see other female warrior/mage/rogues running around.
It just got tiresome. So this happened:
Think about this in your writing. If your character is something different, that’s fantastic! We need more minority characters–not just female, but also non-white nationalities. And that should affect the story where appropriate–as in the case with Morrigan in Dragon Age.
But when all the “NPCs” in your book take time to comment on the difference, you aren’t showing that there’s equality. You may be telling the reader that there is, but what you’re showing is exceptionalism. And it’s pretty tiresome, both in our stories and just to read. (See: Repetition)
(There may be stories of exceptionalism where it is still relevant–“wow, she’s the only one who can do that!”–but I personally think the gender-based exceptions are played out. Do something different.)
Don’t tell me how equal I am: just let me get on with the monster-fighting and world-exploring. That’s how I KNOW I’m equal–because I can definitely kick some undead monster butt if you’ll just let me get on with it.
I’ve been playing BioShock: Infinite since it came out last Tuesday, and it is phenomenal. It is beautiful, challenging, has a great story, excellent mechanics, and pretty much makes me want to spend all my time there.
For non-gamers, BioShock Infinite is the third in a series of dystopian first-person shooter (or FPS) games, where you play as the shooter–basically, you are the main character. (Here’s my quick explanation from before the game came out). In this story, you are a mysterious guy sent to retrieve a girl, Elizabeth, from a sky-city. It’s 1912 and everything has a bit of a steampunk vibe. You get guns to shoot bad guys with and superpowers to help you interact with this city.
I’m only about halfway through, so I’m not sure how it’s going to end, but this game is already standing out for me, all because of Elizabeth.
She is hands-down the BEST companion I have ever seen in a video game. And maybe in a TV show. And she’s one of the best I’ve ever seen in a book, too, (excepting maybe The Lord of the Rings, because hobbits).
Compared to the other media, video games have a few extra challenges with their companions: they have to not get killed in combat; they have to have a bunch of replies/interactions depending on what the player does; and they have to be able to keep up (any gamer can tell you horror stories about glitches where they have “lost” a companion character because the game warped them ahead or behind, and they had to go back and start from a save point to try to recover them. It’s not fun).
Not only does Elizabeth manage to do all of these things well, she’s got serious personality. And she’s genuinely helpful. And, above all, she is not a damsel in distress (though she does start out locked in a tower and you have to rescue her). Check out that video if you want to see the problems with ladies trapped in towers: it can get ugly.
But no; though you do start out as Elizabeth’s rescuer, she later chooses to stay with you. (She might later choose to stab the player in the back, for all I know. We’ll find out!) This completely changes the dynamic! Now she’s not just a helpless girl following her big, heavily armed hero around because she has to: she made a choice.
And then here’s where she really starts to be cooler than many TV companion characters (I’m looking at you, Doctor Who)–she’s not helpless. She has at least three sets of abilities that help you BOTH get through the game. Unlike other games where the companion character is really just something for the character to lug around from place to place (*ahem* Rose Tyler***; *ahem*Princess Peach; *ahem* 007 Goldeneye’s Natalya), you could not survive this game without Elizabeth.
Sure, she needs you; but you need her, too.
I’m not going to go too much into her powers (because, spoilers!), but Elizabeth provides a potent lesson for other game designers and writers in general: your supporting characters need to be fully developed characters in their own right.
Things I can tell you about Elizabeth:
- She has three extremely helpful abilities.
- She’s missing part of her little finger on her right hand. (Mysterious!)
- She wants to go to Paris, France.
- She enjoys painting and reading.
- She was locked in a tower for most of her life.
- She has a joie de vive about her, but can be a little naive.
- She’s certainly intelligent, like, quantum physics intelligent.
- She can fight back.
- If you leave her alone, she’ll explore and interact with her environment, showcasing her creativity.
- She doesn’t very much approve of your character’s morality, but she’s willing to go along with you if it’ll benefit her.
Wow. I’m only maybe halfway through the game! There’s a lot more I can learn, plus some of her abilities are growing to change with the flow of the game. I think I know more about Elizabeth than I know about my playable character.
She’s incredible. Props to 2K for creating such a fantastic character.
Other people: Be more like this. It makes me more interested in the story and more invested in your creation.
***I’ve only watched about half of the Rose Tyler episodes. Yes, I know, I’m behind. So I admit she might get better, but so far? She doesn’t really contribute much.
I love Disney movies. To the point that it’s a little ridiculous, actually. In fact, the only person I know who definitely knows more Disney trivia than me works in one of the parks. I like the princesses, the music, the beauty of hand-drawn art, the themes that fill you with emotion.
But all that love doesn’t mean I don’t know about the problems those movies have. On the contrary, in a college psychology class I aced a project dissecting all the ways Disney negatively portrays women. (There are quite a few).
Sometimes it seems weird that I would be so devoted to something that I find a lot of problems with–but that is hardly restrained to Disney. As a video game fan, it’s pretty common for me to be really enjoying a game that doesn’t line up with my personal views, or even how I’d like to fit into the world. And I’ll read books that do a poor job treating women as full characters.
There’s been a lot of news lately about Orson Scott Card and people protesting his books/soon-to-be movie because of his personal views. And some of my favorite Neil Gaiman stories feature content that is highly disturbing and very challenging to watch.
So what are we to do?
Growing up, I knew some religious parents who wouldn’t let their kids watch any movies containing magical elements of any kind…there really aren’t a lot of G-rated movies that don’t include magic in some way.
I don’t think censorship (even self-censorship) like that is the answer. I think it’s important that we take time to analyze the broader messages of the media we consume: both the messages we’re meant to be getting (as in The Little Mermaid: that love has no boundaries and can overcome all obstacles) and the messages that we’re getting even if the producer didn’t really intend to send them (that Ariel’s physical body is all that is important to her “catching” Eric; her personality is completely unnecessary and probably it’s better if she just focus on body language anyway).
This lets us consume the media we enjoy, and take out the best parts, while acknowledging the problems with the rest. We say “yeah, that’s true, that’s there, but here are all the reasons I like the rest of it.”
As long as you’ve got both parts, I think there’s something we can learn from just about anything.
What do you enjoy that sometimes also makes you cringe? What have you learned from it?
I’ve been looking forward to a video game for about two years now. It’s finally (nearly!) here, and all signs are pointing to “probably gonna be awesome.”
Bioshock Infinite is the newest title in the Bioshock line. Though it’s not part of the original Bioshock timeline, it similarly explores a dystopic society held in remove from the rest of the world, explored by the player, someone from the “regular” world. The experiences are as new to the character as the player.
For non-gamers, a quick summary: Bioshock (the original) was one of the best games I have ever played. It had an interesting concept, cool weapons and powers, and, most of all, a completely immersive storyline. It was everything I wanted in not just a video game, but also a story. It was revolutionary.
In the original Bioshock, the player wandered around the ruins of an underwater city called Rapture. It was a look at what might happen if pure capitalism were allowed to run its course—long story short, it ain’t pretty.
I played that first game so much that I still associate the title screen for the production company (2K) with clutching my controller in the dark, fearful and exhilarated.
Bioshock 2 was an okay game, analyzing some socialistic dystopic ideas in the same underwater city, but it couldn’t touch the sheer power of that first story.
Fans are hoping this newest game will be a return to that original breath-snatching incredulity.
And the cinematic trailer released this month is confirming a lot of those ideas.
Hopefully even non-gamers can feel the intrigue of that trailer. That trailer doesn’t even have any game footage in it (typically a requirement to get any traction with fans) and I’m really looking forward to it. I read a lot of dystopias and I’m interested in a lot of these ideas, but the Bioshock was something different. Video games have an advantage over other media in that the reader/user can literally interact with the environment, allowing a strong story to unfold at the reader’s pace. A good game can do that with optional voiceovers (in Bioshock, you can find audio journals of lost citizens, and choose to play them or discard them), but Bioshock also went above and beyond with their perfectly on-point background music, in-game advertising jingles, and stylized art.
Yes, it was a first-person shooter, so there was a lot of gory fighting, but that wasn’t what made the game outstanding—after all, Bioshock 2 had the exact same fighting, slightly improved, and it wasn’t nearly as fun to play.
No, it’s all about the story.
I love video games, but they’re a secondary medium for me. I hope to get that same overwhelmingly scared-in-the-dark-what-might-happen-next feeling with every book I read, too. And hopefully, along the way, with every book or story I write.