Tag Archives: writing

NaNoWriMo: Winning!

2013-Winner-Facebook-Cover

Or, more correctly, won.

WOO! Third year winner!

To celebrate, I donated to the Office of Letters and Light to keep NaNoWriMo happenin’. You can too.

Dance party time.

4 Comments

Filed under writing

Thankful

Happy Thanksgiving, Americans! In addition to being a time for ret-conned history parables, overindulging on the gobbler that could have been our patriotic bird, watching football, hanging out with family, and making good use of our sweatpants, today is a day for being thankful, so I thought I’d take the time to remember things I am thankful for.

Thankful in 2013

  • I am thankful I am born in a country and in a time where food is abundant, the quality of life is good, where I have the right to vote, where my life is not threatened, where I have access to healthcare, and where I can pursue my dreams. (Sadly, this is not true everywhere. And yes, several of those points could be improved, but this is the thankful list, not the complaining or political list.)
  • Turkey feast. With mashed potatoes. Extra mashed potatoes.
  • I am grateful that my family and dearest friends are in good health and have good nutrition available.
  • I am blessed to be able to spend all my free time writing my third novel.
  • I am shocked beyond imagining that I found a good partner, with a good heart and strong mind, who wants to spend the rest of his life with me. This is an incredible blessing.
  • I have two fuzzy critters to keep my days interesting.
  • I’m thankful for the lifesaving medications I can access that make my life easier and better.
  • I am grateful that I have the freedom of expression, and can speak out against political injustices as I see them…or just write weekly blog posts if I so choose.
  • I have a stable job that allows me to use my background while remaining energized for my side business and writing.
  • We live in a time of wonder, where we can interact with each other, wherever we are, and even with some of our icons. This is an incredible power, unthinkable to generations before us, but it’s easy for us to take it for granted.
  • We live at the intersection of a new era in publishing. It’s hectic now, but I look forward to the many opportunities to come.
  • I can get themed shows on Netflix.
  • I am thankful for books. All the books.
  • I have the internet. I can look up things in an instant, or spend hours learning new things or just watching cat videos. All Hail the Internet.

What are you thankful for, today and every day?

(Also, happy extremely rare Hanukkah, everybody!)

 

1 Comment

Filed under Uncategorized, writing

Editing Quick Hit: Like vs. Such as vs. Including

This is one of those times that spoken English has messed up written English, because casually, we do not care. But in writing, sometimes this one actually matters. (You’ll hope your lawyer understands this grammar rule.)

“Like” means “similar to but not including.”

“Such as” means “similar to AND including.”

“Including” means… including, or, as the dictionary likes to say “containing as part of the whole being considered” (that’s Google’s dictionary, btw). And works as a more flexible catch-all when you’re confused about whether you should be using “like” or “such as”

Let’s just assume the pomegranate is behind the pear back there, ok? Ok.

So putting this to work, an example: If you are picking out a fruit to eat and know you like apples but aren’t in the mood for one right now, you might say “Give me something like an apple” and I might hand you a pomegranate. (Because a pomegranate is similar to, but not, an apple)

If you are picking out a fruit later but now are more flexible on what you’d like, you might say, “I’d like a fruit such as an apple, orange or banana” and I might hand you any of the three or I might hand you a pear. (Because you want something similar to the things you listed, as well as the specific fruit you mentioned.)

If I’m offering you fruit from my selection and just want to list them off, I’d go with “I have a variety of fruits for you to enjoy, including an apple, banana, pear, orange and pomegranate.” If you wanted a grapefruit, I’d have to send you down to the grocery store to buy one yourself.

Got it?

Hungry now? Man, I want a strawberry after all that fruit.

3 Comments

Filed under Editing

I Fail at NaNoWriMo Meet-Ups

“Woman Writing” by Pablo Picasso. Yeah, that’s pretty much it.

Some people swear by the contact high they get from attending meet-ups during NaNoWriMo. Some of the stories about it on the NaNo site are really inspirational, about how connecting with other writers tackling the same incredible feat you are is so great and amazing.

I spend most of my writing time either at my desk or on my couch — even a coffee shop is too distracting to let me really get into flow with my writing sometimes, particularly when I’m struggling with a section and ohhai shiny objects!
But I kept reading about how great it was and I do want to make more writing-inclined friends and that sounds awesome! So I went to one last year.
It was fun. The organizer had candy and treats — I still have my DFWWrimo Rhino in a Place of Honor. She further had a grab-bag of writing prompts every few minutes to get us moving. And there was a big group there.
But I got almost no writing done in the two hours I was there. Actually, I felt incredibly self-conscious of my writing, because… well, I was serious about it.
{insert srs busns image}
 And while I won a prize for writing 500 words the fastest (yay typing a whole helluva lot!), I actually felt bad about winning because I felt singled out — oh, well, you write for a living, so yeah.” 😦
I realize this is probably a problem I have more than a reflection on any of the nice people I met, but I wrote for two hours and then had a deficit, so I had to catch up over the next few days, and that upset me. I didn’t find it invigorating; I’m powered by the deadline pressure and the ideas finally coursing through my hands and into my keyboard. Plus I was stressed the whole time because I was afraid someone was going to spill their drink on my Very Expensive Laptop.
So I sort of fail at NaNoWriMo meet-ups. And that makes me sad. But I’ll be writing this years’ novel from my couch, in my PJs. Sorry, guys.
What’s your writing-marathon strategy?

6 Comments

Filed under writing

Smooth Sailing Ahead

Thanks to all those who participated in my NaNoWriMo poll!

I got a range of votes, including the excellent write-in for “goblins” (really great idea!), but one thing really surprised me: The option “Don’t write a sequel to the book you haven’t sold yet.” got 0% of the votes.

I have a confession: That was really the question I was struggling to answer. My first book, Undead Rising, is still out with an agent. It’s been six months; I’m sending her an email next week to let her know I’m going to start sending it to other people. Everyone who has read that book has LOVED it, but the non-responses I’ve gotten from agents were deeply dispiriting, and I felt like maybe it wasn’t a good enough idea.

But everybody thought it was a good idea to keep writing gamebooks/interactive novels/monster stories. I’m floored, and uplifted (is that a contradiction? I don’t care.).

I’m grateful so many folks weighed in.

The winner: Pirates!
Which is super, because that’s a really ripe genre I can rob, and let’s be honest, I need a lot of material from which to plunder.

(Plunder. See what I did there? Brace for a whole passel of puns in this book, my friends!)

Yo-ho-ho, away we go!

Pirates!

2 Comments

Filed under Publishing, writing

It’s That Time Again: NaNoWriMo!

Tomorrow begins writers’ best/worst month: National Novel Writing Month!

For those who haven’t ever heard of this wonderful thing, NaNoWriMo is 30 days of intense writing, with the goal of writing a complete 50,000 word novel. It doesn’t have to be perfect, it doesn’t even have to be good — it just has to be done.
This is the writers’ version of a marathon, and I’m completely addicted. I’ve written the bulk of both of my novels during NaNoWriMo and find it incredibly invigorating to plow into my writing with a hard deadline. (I’m addicted to the deadline rush. It’s the most motivating thing to me).
It’s free to join, and you don’t have to do anything, but if you want, you can donate, buy a cool t-shirt, attend meet-ups, and, of course, write a novel!
I’ll be posting my word counts and information as we go. If you have ever thought “I could totally write a book if I only had the time,” NaNoWriMo is a fantastic method to MAKE time. If you are diligent about writing every day, it only means about 1,670 words per day. Just DO IT. It’s a kick!

2 Comments

Filed under writing

Monster of the Week

Last year, completely without planning to, I spent NaNoWriMo writing a book about zombies. A gamebook about zombies, written for adults actually, called Undead Rising, where the reader has the option to choose her path along the way, changing the story for every reader. (You might have heard of a certain series of gamebooks for kids that carry a very catchy but copyrighted name…)

It was a ton of fun to write and I truly believe it stands a chance of getting published–and I even had two agents ask for full manuscripts six months ago (but I’m still waiting to hear back…)–and everyone I’ve allowed to read it has loved it. Even the two people who are friends-of-friends but are obsessed with zombies. Even they liked it, and that’s exactly who I’d want to like it, forget everyone else.

But now it is time for another National Novel Writing Month and… I’m not sure what to do. Help me pick?

If I’m going to try to keep to the same tongue-in-cheek style as Undead Rising, the monster/bad guys need to have a lot of pop culture that I can draw from (mock endlessly). I’m just not sure which one is best.

10 Comments

Filed under writing

Review: The Subversive Copy Editor

The Subversive Copy Editor: Advice from Chicago (or, How to Negotiate Good Relationships with Your Writers, Your Colleagues, and Yourself)The Subversive Copy Editor: Advice from Chicago by Carol Fisher Saller

My rating: 4 of 5 stars

I picked up this book when I was first really starting But I am very well aware that not everyone is as privileged to be taught that fundamentals of editing from experienced professionals who also happen to be professors, as I was. (Shout-out to Maggie and Jake at Mizzou!) For you, I say: Read this book!

Saller tackled the difficult task of talking about a fairly dry subject while making it accessible to folks who knew nothing as well as folks who know a lot. And kept it interesting.

There are two parts: 1) How to work with the text in the readers’ best interest and 2) How to work.

The first section (How to work with the text) lays out the “subversive” approach Saller advocates: basically, do no harm… even if that means not adhering completely strictly to the stylebook. (*cue communal gasp of shock from the true pedants*)

This is my philosophy, and it’s great! I think it’s the best way to keep a story true to the author’s vision while making the story comprehensible to the reader.

But it’s tricky when you’re a new copyeditor, because it more or less requires you know all the rules and then willfully choose to ignore them when it is appropriate to the book. (There’s a big difference between not changing something because you don’t know it’s wrong and not changing something because it’s wrong but it makes sense for the story.) This means acknowledging that every story is different and will have distinct needs.

Personally, I think that’s a beautiful thing, but not every editor or writer will agree with me.

The second part–how to do the business stuff–was what I was really reading the book for, and that’s the half that earned this book only 4 stars instead of 5. It told me a lot of what I already knew here, too, but the difference was that it said stuff that I figure most business people should know. Things like “don’t pick needless fights,” and “be nice to others.” I realize that’s probably idealistic of me to think most people already know that kind of thing, and it certainly is good advice for the utterly clueless, but that wasn’t really what I was coming to the table for. Aside from the one chapter on freelancing, there wasn’t a lot that I found truly applicable to my career–especially as it is increasingly unlikely that publishing house jobs will continue to exist in the future (but I’ll knock on wood, anyway). And the freelancing chapter didn’t match the kind of freelancing I actually do, so even that wasn’t ideal.

That being said, this book was great. I think it might be particularly good for a writer who is fearful of handing her manuscript over to a copyeditor or doesn’t really understand why she should bother. (We can help, I promise! In fact, we LOVE to help!)

View all my reviews

Leave a comment

Filed under Editing, Reviews

5 Reasons Writers Should Bake

It looks nothing like store-bought, and tastes a million times better.

It looks nothing like store-bought, and tastes a million times better.

I’ve started making my own bread recently, and I think I’m in love.

Actually, my new fascination with bread-baking is Neil Gaiman’s fault. It’s true; my new obsession with warm homemade bread comes straight from a literary master. See, at his reading/signing event, he read from “The Ocean at the End of the Lane” and, as a special twist, from “Fortunately, the Milk.” By coincidence (or…design?) both books mentioned the incredible deliciousness of homemade bread. There’s a whole riff in “Ocean…” about how bread is “supposed” to taste like nothing, and the little boy is dismayed by the flavorful loaves his father brings home.

So I decided I wanted to get some flavor myself, because Neil Gaiman said so.

It turns out there is something better than sliced bread–a loaf straight from the oven, still warm when you take a bite. It’s amazing, I swear.

Everybody should try it. But I think it might be extra good for writers. Here’s why:

5. Fight Carpal-Tunnel

I spend way too much time at a computer, and so far I have refused to pick up one of those dorky wrist-rest thingys. I’m basically begging for carpal tunnel syndrome. But I don’t have any fancy baking supplies: I’m making these suckers by hand. Kneading dough is a great workout and great stress-relief. I mean, the recipe literally calls for you to “punch it.” Don’t mind if I do.

4. Time to Think

Studies of creativity have found that we do our best thinking when our minds can wander a little bit: that’s why all the best ideas show up when you’re on the can (or did, before smartphones were everywhere–that’s right, I know about your texting-while-pooing habit!). When you bake bread, your body is engaged but you don’t have to think about much. Let yourself get creative.

3. It’s Easy

I’d heard a lot of whining about bread being hard to do. Totally not true. There are about a gazillion recipes online, so you can find a flavor you like. It may take awhile, but–here’s a secret–most of that time you aren’t actually doing anything. You’re waiting while the loaf rises. While you wait, go do something else! Just set a timer and wash your hands when you get back. I start a loaf, then go clean my kitchen. By the time everything is spotless, it’s usually time to knead the loaf. Easy.

2. It’s Research

Bread is ubiquitous in stories (Note: If someone finds a recipe for Lembas, let me know). Once you know how it’s done–and how a good homemade loaf really tastes–you can transfer all those experiences right to your character. Since just about everybody has or does eat bread, it’s a pretty universal experience.

1. It Tastes Amazing

Ok, not writer-specific, but damn. It’s like I’ve never really tasted bread before. Everyone should have that experience. (Much like in writing, the quality of the original materials matters. Use good ingredients and follow a recipe and you’ll get a good result).

Eat up, scribblers! If you’ll excuse me, I think I need (another) slice. Yum.

2 Comments

Filed under Crafts, writing

Time Travel Challenge: History for the Ages

My flash fiction contribution to the Time Travel Challenge, inspired in part by Ask A Slave by Azie Dungey. (Good videos if you like history.) I’m not in love with the story, but it’ll suffice. May keep tooling on it.

—–

History for the Ages

It’s lonely, being a Historian. They made it sound so much more exciting when we signed up for the program. We would be adventurers, of the best sort, not discovering new worlds but conquering past times. We would bring Knowledge, capture it for the next eons to enjoy. We were heroes, or so they told us. The International Library actually had to turn candidates away, if you can believe it.

Despite the trainings, nothing prepared me for this. Not really.

But I was here, now, so there wasn’t much choice—I couldn’t go back home until my year was up. My intrachronometer wouldn’t activate until then, anyway. I might as well do my job.

I sighed and picked up the sack I’d brought with me, muttering to myself about my damned Locator. I was supposed to have been dropped just outside of the town, but it didn’t look like there was anyone nearby. There were so many trees, so incredibly many. I’d seen one in the Museum, of course, but I had no idea they were like this.

Everything was so green. I felt another pang for home.

Though it had seemed foolish at the time, now I was grateful for those trainings in Era-Appropriate Clothing. I still hated the skirt, of course, the drab dirty thing I’d ported in, but at least now I knew how to walk in it, thighs slightly apart so they didn’t rub. So different from the comfortable slacks at home.

I crested a small hill and saw, in the distance, a grand white plantation home. I started toward it, suddenly excited. My first interaction with my subjects! I tried to remember what to say, what the culturally appropriate language, behavior, for a dark-skinned female in this era was.

I’d been specially selected for this assignment, they’d said. After I’d passed all the requisite tests, ensured that I was compatible for time travel and the demands of the job, been thoroughly taught how to create accurate notations of my time period and experiences, I had waited for my era. Based on the scant information the Librarians had on the era, it was decided that I should go infiltrate Revolutionary America, that my attributes and skills made me a great fit for the task.

Don’t forget, they had excellent marketers. That’s how I signed up to be a household slave in 1795.

The philosophy went like this: As Historians, it is our duty to stay out of the activities of those we are studying. Much like anthropology, the ancient study of other cultures, Historians must live in the populations, but not be of them. It would not do for us to actually affect history! (And there would be serious consequences if we tried!)

So Historians always have out-of-the-way cover stories. I overheard the Librarians talking once: their favorite timelines for Historians in America were colonial eras and the four decades post-1985. The slaves and poor commoners of the colonial era and the skyscraper production methods of these times made them easy to infiltrate.

I hadn’t walked too far before I had to fall back on my training. A handsome man working in a field stopped and stared at me as I walked by. I glanced at him, but bowed my head away like I’d been taught—women in these days weren’t typically seen alone. Pretend shyness, particularly around males.

The man called out to a colleague, and word of my approach beat me to my destination. I nearly climbed the porch, but remembered myself just in time and turned to go around the back. There was a woman there, evidently waiting for me.

“Excuse me,” I said, hoping my accent-work was passable, “I’m lookin’ for a job, ma’am. Do ya have any need for a maid, perhaps?” I was particularly proud of the ‘perhaps.’ My Languages instructor would be proud.

The woman looked me up and down sternly. She looked like a tough nut to crack. She crossed her arms over her chest and said, “Possibly.”

I ran through the backstory I’d been given, explaining that I’d be happy to join the household and work hard if only they’d take me, that my prior master had died suddenly and left me without work.

She didn’t seem to believe me, but eventually agreed to let me stay on “for now.”

Success. I’d infiltrated Mount Vernon. Now I could really get to work.

Leave a comment

Filed under Short Stories, writing