Let’s talk about jealousy. I have it.
Tag Archives: writing
The Burning Jealousy of the Not-Quite-There-Author
Filed under Publishing, writing
Lessons From the Renaissance Faire
A Renaissance Faire offers a special type of whimsy. It’s not remotely historically accurate, it’s overpriced, the scent of patchouli is overwhelming, and the attendees are a strange mix of plainclothes tourists and first-time cosplayers.
True Stories of Being Buried Alive
Snopes is definitely one of the best things to ever happen to the internet–maybe the world. The smart-but-snarky duo behind the website has saved me from many a well-intended grandparent spam message (“No, Grandpa, I don’t need to look under my car for someone who might slash my ankles…Snopes says it isn’t true. Ok, ok…I’ll check anyway. Love you too.”).
“In the 1850s, a young girl visiting Edisto Island, South Carolina, died of diphtheria. She was quickly interred in a local family’s mausoleum because it was feared the disease might otherwise spread. When one of the family’s sons died in the Civil War, the tomb was opened to admit him. A tiny skeleton was found on the floor just behind the door.”
“…a narrow room is constructed, to which a descent is made by stairs; here they prepare a bed, and light a lamp, and leave a small quantity of victuals, such as bread and water, a pail of milk, and some oil; so that body which had been consecrated and devoted to the most sacred service of religion might not be said to perish by such a death as famine. The culprit herself is put in a litter, which they cover over, and tie her down with cords on it, so that nothing she utters may be heard. Then they take her to the Forum…when they come to the place of execution, the officers loose the cords, and then the high priest, lifting his hands to heaven, pronounces certain prayers to himself before the act; then he brings out the prisoner, being still covered, and placing her upon the steps that lead down to the cell, turns away his face…the stairs are drawn up after she has gone down, and a quantity of earth is heaped up over the entrance to the cell…”
Filed under writing
States of Change
I’m planning a wedding, and it’s got me thinking about how we live our lives. For the most part, we make small, inconsequential choices (ignoring the possibility of butterfly effect situations: stopping to buy a candy bar, which makes us late for the train, which means we are distracted when the taxi comes out of nowhere to hit us). Sure, these actions always have consequences of some kind (sunburn today = skin cancer in 20 years), but for the most part are unimportant.
But there are a few times in our lives when we make a choice that forces a change of state: we will no longer be the same thing we were before.
Putting aside all the situations that would be like this but that we could not control (tsunami, random mugging, diagnosis of a genetic illness, getting older), we are left with a few opportunities where we can make a choice and change who we are.
Getting married is one of them: once I am wed, I will never again be able to be “unwed.” Sure, I could be divorced, separated, or widowed, but I can never again go back to the “never married” state. It’s a one-time deal.
Outwardly, this doesn’t necessarily mean much: I check a different box on government forms, woo. And I don’t know if it will change my actual relationship with my significant other–some people say yes, but then there are a lot of people who are married in all but name, and they don’t seem that different–but this idea that I am consciously changing myself in a way that I can’t take back is pernicious.
There don’t seem to be many of these kinds of choices in life. Having kids, certainly: you can never really undo that, even if they are given up for adoption. Death, of course, is a major one, at least until we get some cryogenics going on.
Writing a novel is one, I think: even if you aren’t yet published, you have created something that will never actually go away, even if it is mostly just a folder on your desktop.
Some stories require this kind of grand-scale state-changing choice, but it’s sort of surprising that not all are required to. For example, in The Lord of the Rings, Frodo at first does not make a state-changing choice: he is just going on a walk because Gandalf told him to. It could be argued that taking on the ring in Rivendell “transforms” him into the Ringbearer, and he could never again not be the ringbearer, but I don’t think that’s true. Yes, he decides to stick with it, but there are multiple times when he nearly (or actually does!) lose the ring. And (while it wouldn’t have been a good story) there remains a choice that he could have made: to just turn around and go home.
But a state change does happen in American Gods, but not until very late in the story, when Shadow has already experienced much of the hero’s journey. It is similarly the pivotal moment in Good Omens, when our young antiChrist chooses to stop the apocalypse. (What do you mean, you hadn’t read that one yet? Go read that book, right this instant!)
And the excellent Life of Pi does not offer much in the way of choice at all for our hero: he must make a series of small decisions. True, the stakes are high, but there is no one crucial decision.
For the broad swath of our lives, we make choices, but rarely do we make these kinds of life-altering decisions. Have you made one that I’ve overlooked? Are these choices similarly critical to our characters as they are to us? Tell me what you think.
Filed under Uncategorized, writing
Query Conundrum
Fellow authors–I need advice.
If you have a nontraditional story format, how do you handle page requests?
Both of the novels I’m currently querying for are–unusual, to say the least. I actually think that’s a strength of them, but I’m worried now that it is handicapping my querying. One, Undead Rising, is a gamebook, in the style of Choose Your Own Adventure books.
The other, Alt.World, is told through the eyes of two main characters–but “news” articles illuminating the pre-dystopian past, as well as cryptic messages, are folded in. All these pieces make complete sense by the end of the book, but at the beginning, it’s pretty open-ended and…well, a bit weird, if you’re expecting the normal “Chapters 1-3.” (It’s not unlike Margaret Atwood’s The Blind Assassin or The Handmaid’s Tale or maybe even Neil Gaiman’s American Gods. The pros do it! But then again, they’re pros, they can do whatever…)
I recently had a page request for Alt.World, and while there was praise in the response I got back (“Solid writing!” *swoon*), she was (understandably, perhaps) confused by the interspersed news articles and the preliminary far-too-cryptic-to-be-yet-understood messages. And she passed on it.
So I’m wondering what I should do: send in 50 pages, excluding the news articles/messages, etc. to make an easier read for agents by putting it in a format they expect? Or continue sending it as it is, as the story truly is, and hope to eventually find an agent who “gets” it–and possibly creating a harder path for myself in the meantime?
Anyone have any experience in this situation?
Filed under Publishing, writing
Imaginary Books From Real Books
This is a pretty fun list: pretend books mentioned in real books. It’s designed as a “library,” so (rather inconveniently) organized by imaginary author, alphabetically (personally, I’d prefer to have them listed by the real book in which they are included).
It looks like the curator of this rather impressive and oddball list hasn’t read Neil Gaiman’s Sandman comic books, which is a pity. Sandman has a whole library of pretend books, the premise being it’s a collection of all the books the authors dreamed of writing but never actually got around to. It’s a fascinating list, and shows an interesting peek at sigh authors’ (imagined) psyches.
Still, take a moment and peruse the books that only exist as a figment of someone else’s imagination. It’s sort of fun.
You’re Incompetent and You Know It (Clap Your Hands)
- Unconsciously Incompetent- You have no idea how hard something is because you’ve never tried it.
- Consciously Incompetent– You’ve tried something and found out it’s actually not that easy. This is a potentially embarrassing place to be.
- Consciously Competent– You’ve worked hard and now you know you’re actually doing it pretty well.
- Unconsciously Competent– You’re so good that you don’t even have to think about it anymore, it just happens naturally.
“Nobody tells this to people who are beginners, I wish someone told me. All of us who do creative work, we get into it because we have good taste.[Unconsciously Incompetent] But there is this gap. For the first couple years you make stuff, it’s just not that good. It’s trying to be good, it has potential, but it’s not. But your taste, the thing that got you into the game, is still killer. And your taste is why your work disappoints you. [Consciously Incompetent] A lot of people never get past this phase, they quit. Most people I know who do interesting, creative work went through years of this. We know our work doesn’t have this special thing that we want it to have. We all go through this. And if you are just starting out or you are still in this phase, you gotta know its normal and the most important thing you can do is do a lot of work. Put yourself on a deadline so that every week you will finish one story. It is only by going through a volume of work that you will close that gap, [Consciously Competent] and your work will be as good as your ambitions. And I took longer to figure out how to do this than anyone I’ve ever met. It’s gonna take awhile. It’s normal to take awhile. You’ve just gotta fight your way through.”
Amtrak to Offer Free* Trips for Writers
- Trains get you out of your comfort zone
- You’re trapped for hours, which halts many avoidance techniques
- You can look at the window to see things pass by. The changing view is nice to look at when your brain needs a break.
- Internet is spotty, if available at all (at least in my area). No hours of “research” (ie. looking at cats being silly)
- No one wants to talk to strangers, so people pretty much leave you alone.
Filed under writing
Gifts for Writers: Great ideas!
Love this list of non-notebook gifts for writers.
Family members have been giving me notebooks–and fancy pens–as gifts since I got out of college. It’s a nice sentiment, really, it is, but all of my writing really happens in my laptop (it has the smudge marks from repeated use to prove it). I like the pens but I’m always afraid of losing them, and some of the notebooks are really precious but I don’t want to “ruin” them by marking in them and then forgetting about them.
But a friend gave me an editing-themed mug and I have used the heck out of that. (I particularly like it when I’m editing, duh). So more of that, please!
Filed under writing
The Shape of Our Stories: By Vonnegut
Well this is just charming. Apparently Kurt Vonnegut, brilliant writer and social commentator extraordinaire, had a theory that all stories could be graphed on a basic happy/sad scale, and that the shapes these stories created said something about our culture.
That’s the very pleasant chart version, with more info at this link.
(And do watch the video. Vonnegut seems like a very lovable professor, maybe a bit dusty, but the audience is having a ball and is just eating it all up. It almost sounds like someone had a heavy hand on a laugh track.)
Someone with a deeper knowledge of Vonnegut than me should really go chart Vonnegut’s stories in this way and see what “shape” they make. I feel like “Slaughterhouse-5” may have some twists and turns to it, though “Breakfast of Champions” might be kinda flat.
What do you think? Does this “graphic” interpretation make sense?