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Success is Relative

I read a “motivational” cartoon last week, called “How to Be Average.” It then listed a bunch of things not to do, including writing a book, if you aspired to average-dom. It was generally condescending to those who liked having a house, stable job, and family.

But the book part is what caught my eye and my ire. 

As anyone who has written a book can tell you, there are a lot of us. Writing a book may not be what the “average” person does, but that doesn’t mean it’s a small population. And while writing a book is a fantastic goal, it’s also a relatively small goal compared to what people think someone who has written a book should be like. Nevermind that most writers right now are small or independent, folks (understandably) think of the Big Dogs, the J.K. Rowlings, Neil Gaimans, and Margaret Atwoods of the world. So when someone hears you’re a writer, they start to ask a bunch of questions about book sales and publishing strategy–they want to know if you’re a real writer.

Or at least pushing you on to the next step. More than one person, after I announced I’d won NaNoWriMo this year, asked me when they’d read it. Um, I don’t know. Possibly never? 

Which is just to say what the title says: success is entirely relative. There are times when success is just finishing the damn thing already, and times when it’s meeting an agent, and times when it’s having a book signing without the store kicking you out, and times when it’s just dragging yourself home after an exceptionally long day.

Right now, I’m defining goals literally one day at a time, and all my goals look like one long to-do list. That doesn’t mean I’m not a successful author or human being; mostly it just means that you don’t have the right yardstick to measure my victories.

 

Step off, I do what I want!


 
Is it just me, or are you frustrated by the feelings of “unsuccessfulness” in your publishing career?

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Movie Music Marathon

I had this whole post I’d intended to write, but then I discovered this, and it was so amazing and sweeping that I don’t want to write about that other thing, I just want you to listen to this.

http://player.pbs.org/viralplayer/2365596258

Movie soundtracks can get a bad rap as not being “real” music, but without the soundtrack, a movie would suck. This walk down memory lane really highlights both the emotion of the Tim Burton films featured as well as the pure musicality and skill put into developing the sound and the feelings these songs produce. I don’t love every movie in this mix, but wow, is it powerful when all showcased this way, with first-class musicians and high-quality behind-the-scenes art. Take a moment to drink it in. It’s really fun.

So go listen to it, already!

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Support Kickass Rachel Caine’s Kickstarter!

  I’m so late to the game that I nearly missed it, but one of my very favorite authors, Rachel Caine, has a Kickstarter active now for a new book in her fascinating, wonderful, brilliantly creative Weather Wardens series.

Go back it now (only one day left!!!) and then come back here to read more about why this is amazing. I’ll wait…

This Kickstarter amazes me, not only because backing it means I’ll have more personal(ish) contact with one of my writing idols, but that it exists at all.

She says in her video that publishers have told her that the Weather Warden genre, urban fantasy, won’t sell right now, and that’s at least part of why she has decided to self-publish this book. But that amazes me–mostly for sad reasons. Ms. Caine is an established, highly respected author who has written at least three immensely popular series. She’s a known brand. And the story she wants to write is part of an existing universe that has already spawned a fun three-book mini-series. And yet…a publisher wouldn’t back her?

It’s hard to know if there may be more to the story, but I fear there isn’t. Perhaps Caine just leapt at the opportunity to self-publish and thought this would be a good way to try–and considering her Kickstarter has already far exceeded its goal, it’s a worthy cause.

But it does worry me about the industry as a whole. Has there ever been any inherent stability, or is it all an illusion?

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Review: Cibola Burn

Cibola Burn (Expanse, #4)Cibola Burn by James S.A. Corey
My rating: 3 of 5 stars

This fourth book is different from the rest. Then again, that has been true of all the books in this series so far, but this one might be a little more distinctive. The first, Leviathan Wakes is a murder mystery on a grand scale; Caliban’s War is about grappling with an unknowable alien enemy; Abaddon’s Gate is largely a political intrigue; and then there’s Cibola Burn…which is alternatively a man vs. man and a man vs. nature story. So it’s a little bit different.
Yet again we’re brought along with Captain Holden and his crew as he tries to not screw things up, and we’re again introduced to a new cast of characters to guide us: the well-intentioned but misguided colonist Basia; the clinical and laser-focused scientist Elvi; and the security chief, Havelock, who is most definitely a reflection of our pal Miller from book one.
The writing duo that make up Jame S.A. Corey remain outstanding, as this series knows how to ramp up the problem like none I’ve ever seen. Just when you think you’ve got one disaster big enough to ruin everything, they throw another bomb into the mix. It makes this a harrowing, exciting read, as you try to imagine how anyone could survive that.
My issue with this book is the antagonist. He’s just too mustache-twirling evil, and though he has motivations, I find it hard to believe that anyone would be so staunch in that kind of view. He ends up just being a bigger-than-realistic baddie who I hoped got put out of his misery early on–but of course, he didn’t, and I had to keep suffering through his appearances. Maybe I’m naive to think no one would be like that guy, but I really didn’t want to read about him all the time. I’m seriously disappointed he wasn’t killed by a death-slug (oh yeah, death-slugs are a thing).
The ending feels a little too pat, but then they fix that by adding a short coda from our political hero and war heroes from the prior books. Now we’re talking.
Then again, the character exposition I got for some of the crew of the Rocinante was so fabulous it might have made the whole book worthwhile…
Yet again, this book is a lot of fun and an incredible journey, even if this one wasn’t my favorite.

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Zombie-Riffic Halloween

Undead Rising zombie bookGreat news! You’ll be able to meet me at Madness Games and Comics in Plano from 1 p.m. to 4 p.m. for a real-life book signing!

Madness is for real my favorite comic book/game shop ever, and I’m so honored that they’ve asked me to do a signing on nothing less than the coolest, most zombie-tastic day of the year!

I’ll be set up and eager to see you, and in addition to books I promise to have some creepy/tasty treats to share…if you dare!

So pop over to Madness Games and Comics to get your copy of Undead Rising: Decide Your Destiny, and you’ll be able to challenge your friends: who can really survive the zombie uprising?

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The One Thing I’d Get During an Apocalypse

I’m writing this on Saturday, when the Super Moon is getting eclipsed, and all I can think about is the end of the world. Namely, the one thing I’d want to have with me in the event of a serious, bad apocalypse. In addition to the sensible running shoes and outdoor clothes I’d of course already be equipped with, I’d run back into the burning city for one thing.

There are a lot of good contenders: a fire starter would be clever, some kind of water-cleaning device, perhaps a camping tent. A can opener would have its uses for a long time. A good knife, always handy. But as a female apocalypse-survivor, there is one luxury that would really make survival 100 times better.

Hair ties.

hair ties for the apocalypse

Yup, those things (and preferably on a convenient clip just like this)! Absolutely essential. My day is practically over if I lose mine. You always see women in adventure shows with their hair down and flowing, and let me tell you, that’s a surefire way to get your hair tangled as heck, caught in some twigs, or at the very least annoyingly frizzy. And I’ve tried those complicated faux-Greek hairstyles where they “don’t use a tie” or just a leather thong or whatever, but I assure you, there’s really nothing as good as a nice elastic hair tie. I wouldn’t want to be in an apocalypse without it.

Besides, this comic by Kevin Warren has it about right:

Kevin Warren wonder woman scrunchie

Wonder Woman art by Kevin Warren

What one thing would make the apocalypse almost survivable for you? Share your best ideas!

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Review: Pyramids

Pyramids (Discworld, #7)Pyramids by Terry Pratchett
My rating: 3 of 5 stars

In Djelibeybi, not much has changed…in thousands of years. But all it takes is one king with wild ideas about such nonsense as “indoor plumbing” and “mattresses”–and one seriously large pyramid–for the kingdom to get forced into the modern day.
This story jumps around a bit, but generally follows Teppic, the prince of Djelibeybi (which is totally-not-Egypt). What with the kingdom being rather in debt, someone has to earn a living, so he goes of to Ankh-Morpork to learn an honest living as an assassin. Meanwhile, his father has a bit of an existential crisis about being the god-king responsible for sunrises…without knowing how he does it every day. His realization that gravity does indeed apply to him sets Teppic on a path back home to discover his own godhood and to begin the wrestling of his country into time with the rest of the world. There is then a lot of quantum mechanics and fooling around with far-too-large pyramidal magics, and then there’s a mess that not even Dios, high priest for as long as anyone can remember, knows how to handle.
This story was a lot of fun, as all Pratchett books are, but it didn’t quite captivate me as some of his others. It was a good time filler but nothing exemplary. It jumped between main characters more often, or rather, seemed to, and so it was a little hard to follow at first. Of course, everything came together and made perfect sense in the end, right down to the silly naming of the two royal embalmers. Pratchett, as always, had a plan.

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Review: Eric

Eric (Discworld, #9)Eric by Terry Pratchett
My rating: 4 of 5 stars

Goodreads doesn’t aptly display the cover of this book, so let me describe it. It has “Faust” written in normal typography, crossed out with fat red marker and “Eric” written in its place. And that perfectly well sets you up for this misguided teenager’s wish-fulfillment disaster.
As always, Pratchett is insightful and hilarious. This time he takes on Homer, which not enough authors are brave enough to do. This is the line that made me love the book: “He tried to remember what little he knew of classical history, but it was just a confusion of battles, one-eyed giants and women launching thousands of ships with their faces.”
Glorious!
Anyway, this short little jaunt is about a jerky prepubescent teenager, Eric, who manages to call up the hapless/cowardly/useless wizard Rincewind, convinced Rincewind is a demon who can grant wishes. Eric makes wishes–bad ones, of course, or rather traditional ones that come to bad ends–and much to his surprise, Rincewind hurtles him toward it. Or at least, seems to.
Goethe, Homer, and Dante all get a thorough Pratchett treatment, and it’s a delight. Plus it’s only about 200 pages, so it’s a quick read. You’ll be giggling right through bedtime.
That old blind classical guy doesn’t get teased enough, I say. Pratchett to the rescue!

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To Boldly Go Toward Diversity in Science Fiction

With the sad little white men known as the “Sad Puppies” shitting all over the Hugo awards, diversity in science fiction has been a hot topic of late. And it likely will continue to be a conversation, in literature. But right now I want to talk about another medium, and a body of science fiction that has definitively transformed the cultural landscape for the better. Because it was diverse.

I want to talk about Star Trek, a TV show, several movies, and a long string of spin-off books. Because my friend died, and it’s what they loved.

I’ve written about my love of Star Trek before. But I don’t know that I’ve explained how important it has been in my life. Star Trek was the show that my brother, my dad, and I gathered around to watch most nights growing up (and sometimes mom joined in, too). We predominantly watched Star Trek: Next Generation, but we weren’t choosy and have dabbled in all of them. We didn’t always watch them in order, but that wasn’t important. I can’t even tell you which of the movies I’ve seen, except to say “yes.” I had a crush on Wesley as an awkward teenager, because he was a smart awkward teenager about the same time I was just awkward, so he seemed to have a lot to aspire to.

My parents were the type who didn’t allow us to watch anything they deemed “inappropriate,” and heavily favored those they viewed as “educational.” And Star Trek absolutely fit that bill (lucky for me). I probably didn’t learn that much about actual science, but I learned a great deal about philosophy, about friendship and familial relationships, about hope. And I most certainly learned about acceptance.

Of course we all know it was Star Trek that braved to blast through the color barrier on TV, with the first interracial kiss. But more than that, Star Trek taught that anyone could be accepted. You could have weird spoon indentations on your head, or a tendency to fight at a moment’s notice, or the ability to read emotions and strange marriage rituals, but it wouldn’t matter: Starfleet would find a place for you. You were respected for who and what you were. It may not have always been logical or the easiest choice, but it was Captain Picard’s (and later, Captain Janway’s) prevailing approach. To learn. To welcome those who are friendly and demilitarize or avoid those who aren’t.

I can’t have been the only one who learned tolerance from Star Trek. I know it has inspired others. It inspired my friend, who I first met the first week of college; they performed Hamlet‘s “To Be or Not To Be” speech… in Klingon. They made an impression–not necessarily flattering, but certainly brave and owning their geek pride. And I could respect that.

I’m using the pronoun “they” because, though in college my friend presented as male, some time a few years later they decided/realized they preferred the pronoun “they/their.” They identified not as male, but as “genderfluid.”

Yet again my friend stunned me a bit. I mean, that is a tough thing to wrap your head around, for sure. But I hadn’t been in close touch with this friend for years, and even so they felt the need to reach out, to share this very intimate part of their life, with me. I was touched, and felt guilty for having been so far out of touch. I admired them their brave eccentricity, their self-acceptance, their newfound sense of confidence, of self.

I think Star Trek had a lot to do with that. See, in Star Trek, no one would blink twice at this kind of switch, about the idea that gender is not fixed or biologically determined. Sure, what else is new? We’ve got these furry things that reproduce like mad, let’s go deal with them. The captain’s banging a green alien again, what else is new? We’ve got solar systems to explore, who cares about a stupid pronoun?!

My friend loved Star Trek. I mean, they were fluent in Klingon, of course they loved it! But I can’t help but think, now, that one of the big appeals for them must have been that acceptance of diversity. That dream of a future utopia wherein poverty has been eliminated, where disease can be cured by a flashy light, and where people can be who they are…whoever and whatever that may be.

My friend passed away very suddenly last week. I never got the opportunity to tell them how brave they were. But they reminded me of something important, even now: that diversity in science fiction is absolutely not a bad thing. It’s a beautiful thing. It is perhaps the best thing about science fiction, that we can create safe spaces in which we can explore the possibilities of a bright future.

I hope my friend has found their Nexus.

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Review: Neuromancer

 Neuromancer is undoubtedly an original, at what was once the cutting edge of science fiction, breeding a whole new genre known as cyberpunk, from which much of what we now take for granted was invented. I can see why it’s on many “must-read” sci-fi lists.

But I don’t much care for it.

Despite the reviews saying it’s about a hacker and a big conceptual challenge, the challenge I faced for the full first third of the book was just figuring out what the heck was going on. The main character, Case, is a washed-up drug addict and former “cowboy.” Apparently “cowboy” means “hacker,” but it took a lot of reading to really grok that. Case is pulled into a weird “team” of characters to kill an AI, which supposedly can’t be done, for reasons. I never really did figure out what motivated most of the characters to be willingly on this quest or interact with each other. A lot of imagined jargon is thrown at you from the outset, and I found it so foreign I had no context to help. And because Case is so drug-addled–particularly at the beginning–it’s immensely hard to figure out what is even real.

I really was confused when a brand-new character, a “razor girl”–woman with retractable razor blade claws–meets Case and then a scene later has sex with him. I’m all for characters being bonded and all, but they just met! And she tried to kill him! How is that attraction or flirtation? I almost gave up on the book then, but it’s a classic, so I persevered.

I got it, eventually, fell into the flow of the language and found the story, but I had already lost some of the mystique the book had held from being a first. I just didn’t love it.

However, I can absolutely see its value as literature. It is a definite pioneer of the new, of the future of technology. It tries to comprehend what eventually became the Web, and even though it is conceptually very different from today’s user experience, you can trace the gene pool.

The “matrix” looks an awful lot like Tron or Reboot and it’s an immersive alternate reality, perhaps like some movie in 1999 called, oh, I dunno, The Matrix. Dub step music almost certainly hardens at least partially to this book, as does almost any movie where a guy behind a screen can be a hero.

Neuromancer is an important book…but probably not one I’d read again.

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